Showing posts with label Writers' strike. Show all posts
Showing posts with label Writers' strike. Show all posts

Friday

The Pen is Mightier, But the Writer Still Gets Screwed

Where there is a person with ideas, talent, and a way, there are always going to be hundreds of more people waiting to capitalize grossly, (and I do mean grossly) from those ideas, exploit talent (and often claim it as their own), and do everything in their power to make the way that much more difficult, if not impossible - unless they happen to be pocketing most of the profits.

That is the way the world turns. Writers have for a long time been undermined, taken advantage of, and undervalued in the Hollywood system. But it doesn't end there. It's pretty difficult to be a writer at all these days. Even film writers in the indy world are never credited the way a director is. After throwing much of your soul into a script for months or even years, it is all too often unrecognizable once it hits the screen. So, creative interests aside, writers should at least be paid fairly. But it is usually the producers and the studios who profit handsomely from the work of writers. Why do we do it at all?

We write because we are writers, and that's what writers do. But we don't have to write as victims, silenced by the voices of studios and unfair contracts. It's time we write our own contracts, and make our own deals. The strike in progress is a simple attempt to be paid a fair percentage of what big execs are reaping from writers' work. I am brimming with pride that writers are standing up for themselves. As an aspiring screenwriter, it gives me hope that maybe these writers will make a difference, bring change to the studio system, and pave a smoother road for the next generation.
Show your support here: WGA.ORG

Monday

A Writer's Strike (a blogger's lament)

As you may already know, WGA writers are on a well substantiated strike at the moment. Apparently, I have been on a strike of sorts myself lately - one that involves not blogging. (Yeah, this is supposed to be a clever joke.)
On the bright side, this means I am devoting more time to a script, and to cooking delicious local foods like magret de canard au poivre and apple and leek hash. Yet, I can't say I don't feel guilty. I have received letters of thanks and compliments from strangers:readers of the blog who actually appreciate me for writing it. And what do I do? I go for weeks without making a proper entry. So, thanks a lot to all of the people who wrote to me in appreciation - thanks for making me feel like a louse; an empty shell of my once content-rich self.

Getting back on track: I have been sampling a multitude of Rhone wines recently, and I continue to find good overall value in 2005 bottles. August (which, by the way, is the best restaurant in the Village, if not all of NYC) has an excellent pick among their well crafted list. It is Costieres et Soleil, Plan Pegau, Laurence Feraud, 2005. A balanced, food friendly, typical Rhone. It is reasonably priced, and worth ordering more than one.

When you do go to August - and you must - try the melt in your mouth venison (not at all gamy)and the savory, heart stopping tarte flambe. When the magazine launches, I will post a link to my review of August in Gotham Digest.

In the meantime, I must get back to writing for the screen. I can't say for sure when I will be able to post again-I am job hunting too, you see. I guess you just can't count on writers to be consistent all the time. But trust me on the venison.